Litooma

indigenous + ritual performance project

research workshops performances

Alaska

Africa

Asia

Russia

Siberia

Litooma Mission Statement

 

 

Island in the Sky

In southern Zambia the Lozi people believe that their ancestors and the unborn live on an island in the sky. When there is a performance the island decends to the earth bringing the ancestors and unborn. "When we perform, we perform with our ancestors that we have known and do not yet know." When the performance is over the island returns to the sky where the ancestors and unborn look out for the living. "We have come from this island and we will go back to it."

The name of this island is Litooma

 

 

 

 
 

A Time of Transformation

Our earth and its inhabitants are moving, in fits and starts, challenging long established ways of being in the world, into an era that will require a fundamental personal, social, and cultural re-evaluation of who and what we are, how we relate to one another, our self and our planet.

A new sort of consciousness is emerging that is responding, wittingly or not, on the place-based systems that have much in common with indigenous cultures.

Whether this consciousness is motivated by the necessity of political, environmental, or economic survival, or symptomatic of a larger historical evolution or cycle, is of no consequence.

Our sense of self, identity, and connections with others, the environment, animals, and spirit is undergoing a reformulation that is shaping a participatory reality sensitized to inter-dependence and holism.

All of the humanity’s wisdom and abilities are being called to task in this process, including, in no small way, performance.

Is it any wonder that the world has become awash with performance expressions?

Along with the abundance of dance, music, and theatre offerings why has there has been an explosion of cable offerings, films, and video games? All are, in some way or form, underlying attempting to explain, mark, reassure, comfort, and/or prepare for global transformation in which we are all a part.

In this era of profound upheaval and challenges (e.g. the political and economic turmoil and the technologization and virtualization of reality), performance, the most fundamental personal, social, and cultural expression, has taken on a heightened significance.

In a time of fundamental change a fundamental and grounding resource is being called upon. At its most basic, performance, in any and all of it diverse manifestations, gives form to feeling through a system of signs and codes in a effort to make visible the invisible that exist within and now swirling around and among us.

Is it any wonder, with more going within individuals, in the world, and given a re-conceptualization of the world, self, societies, culture’s and reality, performance is playing a central role as medium, mnemonic and catalyst of change.

Faced with unprecedented change humanity is accessing and re-examining all of its historical and cultural resources (much of which were formerly marginalized or misunderstood); among them ritual, shamanism, traditional healing, and indigenous performance.

top: mask performance, southern Tanzania

bottom: Imipashi, Luska, Zambia

 

Thomas Riccio

performance creator writer director activist

ritual + mythology + media + experimental